A Little Princess (1995)

 I am a princessAll girls are. Even if they live in tiny old atticsEven if they dress in ragseven if they aren’t pretty, or smart, or youngThey’re still princessesAll of usDidn’t your father ever tell you that? Didn’t he?

(via orangetarts)

quilavaflare:

wifiey:

ianoshea:

me when I work out

which episode of game of thrones is this

all of them

(via samandriel)

My problem is that I fall in love with words, rather than actions. I fall in love with ideas and thoughts, instead of reality. And it will be the death of me.

Unknown (via fuckinq)

(via taylorisalibra)

I am too much
of
nothing.

Alena M.  (via imjustjeon)

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(via ghostlaced)

birdluvr1993:

masculinity is so funny to me bc men deprive themselves of the best things in life in order to achieve it like ….fuzzy socks, fun fruity pink drinks, spa days, lifetime movies,  expressing positive feelings in a healthy way, being a warm genuine person

(via thecityofpaper)

(via strungoutsouls)

“So, the house is burning down and you can save the cake or me. What do you choose? - That’s not fair, the cake doesn’t have legs.”

(via strungoutsouls)

(via strungoutsouls)

198ft:

girls screenshot everything and then send it to their friends in a group chat and then laugh at people and that is why you should never trust us

(via tofiepie)

#tru  
*。.゚。*・✿ The unholy offspring of lightning and death itself ✿・*。゚。*

(via queenofbutttouch)

drunkenwords:

Supernatural One-Liners Seasons 1 through 8

(via imgonnamakeachange)

#spn  

margraery:

the magic begins • favourite film: Harry Potter and The Deathly Hallows part one

"For you? You think Mad-Eye died for you? You think George took that curse for you? You may be the Chosen One, mate, but this is a whole lot bigger than that."

(via dailypotter)

hautekills:

Details from Chanel haute couture f/w 2014

That twistedness was the key to the collection. The word couture implies cutting and seaming. There was none of that here. Everything was molded rather than seamed. “It’s Haute Couture without the Couture,” said Lagerfeld, tongue firmly in cheek. And yet there was look after look of a gorgeousness so exquisite it could only be achieved in ateliers that were accustomed to confronting the impossible—and mastering it. It must help that Lagerfeld always has the future in mind as he cherry-picks his way through the past. Take lace and coat it with silicone. Think pink, but think plastic, too. Tatter, shred, disrespect…and make something new. That was all in keeping with the much-touted youth-ifying of Couture. Sam McKnight’s hair and Maison Michel’s little hats perched pertly on the back of the models’ heads had the effect of a Haircut 100 cover from The Face circa 1982. The effect was compounded by Lagerfeld building his silhouette on shorts. There were coatdresses over shorts, jackets and skirts over shorts, plus the perfect shoes for shorts—sandals. Given the molded, sculpted nature of the clothes, Lagerfeld liked the ease of a flat. “The models can walk in those dresses like they’re nothing,” he said.

                                           -Tim Blanks

(via borrowed-flight)

#fashion